sabato 17 luglio 2021

From Hell: just a boring and absurd movie

The original Italian version is available here.


2001's From Hell, directed by Albert and Allen Hughes, is the most famous movie on the murders of the Whitechapel serial killer. The film, based on the graphic novel with the same name by Alan Moore and Eddie Campbell, boasts a high-level cast that includes Johnny Depp and Heather Graham, but despite the presence of prominent actors and the high budget, the movie fails in virtually all respects.

The theory proposed by the film about the identity of the killer is the the royal conspiracy one, which, as explained in the past, just makes no sense and has no realism. But aside from the absurd path the narration takes, the film doesn't work from a cinematic point of view either. If the intent was to make a distressing and claustrophobic film in which a single investigator uncovers a government conspiracy, the goal has been missed and by far. The film is in fact in large parts slow and boring and adds long unnecessary fragments to its plot: for example an unlikely love story between Inspector Abberline and Mary Kelly or a visit of the two to an art gallery.

The film also adds other laughable nonsense such as the fact that Abberline was addicted to opium and had visions of the murders (practically merging Abberline and Robert Lees into one person). On the contrary From Hell overlooks many important details, such as the actual investigations and the real suspects that the police sifted through at the time, and other aspects such as the letters or the kidney received from George Lusk are treated with astonishing superficiality.

From Hell is therefore a wasted opportunity: instead of making a good film about the Ripper's exploits, the Hughes brothers packaged a shoddy and ridiculous product. However, the Italian translators even managed to make an already poor product worse, by translating the title as The True Story of Jack the Ripper - From Hell, when there's obviously nothing real in this film.

If this is the best that the cinema of the new millennium can create about Jack the Ripper, perhaps it is better to abandon the intent and make no more films on the subject. Because we definitely didn't need something so kitsch.

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